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5. Questions on Shakespeare's

Merchant of Venice (Act IV Court Scene) - Julius Ceasar (Act III Scene 2) - Sonnet 116


THE MERCHANT OF VENICE

                                                                                                                -William Shakespeare
(The Plot)
Antonio, a merchant of Venice, and Bassanio are very close friends. Bassanio needs money to marry a wealthy lady in Belmont named Portia. He borrows money from a cunning, Jewish moneylender called Shylock. Shylock lends him a heavy sum but makes Antonio sign a bond that if the money is not repaid within three months, he would cut a pound of flesh from Antonio’s body. Meanwhile, Portia, who has to face many suitors, waits for the arrival of her beloved, Bassanio. Before he died, Portia’s father, realising her difficulty in choosing the right man, had left a test for her suitors. Each man was to be presented with three caskets, of gold, silver and lead. Inside one of them was Portia’s picture, and whoever chose this casket would become her husband. The Prince of Morocco chooses the gold casket but finds inside it a skull and a warning. The Prince of Aragon chooses the silver casket and finds the portrait of an idiot and another warning. Bassanio chooses the lead casket, the one with Portia’s picture, and claims her as his wife. And his friend Gratiano marries Nerissa, Portia’s maid. As the merry-making commences, there comes a letter from Antonio. His ships are lost at sea, and hence unable to pay his debt, he has to keep his word with Shylock, and offer him a pound of his flesh. Portia offers money but Shylock insists on a pound of Antonio’s flesh as mentioned in the bond. When their husbands leave for Venice, Portia and Nerissa too follow them in disguise. Portia disguises herself as a (male) lawyer with Nerrisa as her clerk. Portia leaves her house in the care of Jessica, Shylock’s daughter who has left her father and married Lorenzo. All the great men of Venice gather at the Duke’s court but Shylock is unmoved by their arguments. He feels that the law is on his side and demands justice according to the bond. Portia enters the court and changes the entire
nature of the argument. She speaks not of justice but of mercy. Portia wins the battle of wits and Shylock is forced to leave the courtroom in defeat. Thanks to the brilliance of Portia’s reasoning, the misfortunes of Antonio, the merchant of Venice, are finally ended, and the married couples are ready for a life of happiness.



Note: The following is an extract from the court scene, Act IV.
Place: The court of justice in Venice.
Enter Portia, dressed like a doctor of laws.

DUKE                : You are welcome: take your place.
                            Are you acquainted with the difference
                            That holds this present question in the court?
PORTIA            : I am informed thoroughly of the cause.
    Which is the merchant here, and which the Jew?
DUKE                : Antonio and old Shylock, both stand forth.
PORTIA            : Is your name Shylock?
SHYLOCK       : Shylock is my name.
PORTIA           : Of a strange nature is the suit you follow;
 Yet in such rule, that the Venetian law
                         Cannot impugn you as you do proceed.
 (To Antonio) You stand within his danger, do you not?
ANTONIO       : Ay, so he says.
PORTIA           : Do you confess the bond?
ANTONIO       : I do.
PORTIA           : Then must the Jew be merciful.
SHYLOCK      : On what compulsion must I? Tell me that.
PORTIA          : The quality of mercy is not strain’d
                         It droppeth as the gentle rain from heaven
                         Upon the place beneath. It is twice blessed:
                         It blesseth him that gives and him that takes:
                         ’Tis mightiest in the mightiest; it becomes
                        The throned monarch better than his crown;
                        His sceptre shows the force of temporal power,
                        The attribute to awe and majesty,
                        Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway,
It is enthroned in the hearts of kings,
It is an attribute to God himself;
And earthly power doth then show likest God’s
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this
That, in the course of justice none of us
Should see salvation; we do pray for mercy,
And that same prayer doth teach us all to render
The deeds of mercy. I have spoke thus much
To mitigate the justice of thy plea,
Which if thou follow, this strict court of Venice
Must needs give sentence ’gainst the merchant there.

SHYLOCK       : My deeds upon my head! I crave the law,
The penalty and forfeit of my bond.

PORTIA           : Is he not able to discharge the money?

BASSANIO      : Yes, here I tender it for him in the court;
Yea, twice the sum, if that will not suffice,
I will be bound to pay it ten times o’er,
…………………………………………………
PORTIA           : I pray you, let me look upon the bond.
SHYLOCK       : Here ’tis, most reverend Doctor, here it is.
PORTIA           : Shylock, there’s thrice thy money offer’d thee.
……………………………………………………..

PORTIA           : Why, this bond is forfeit;
And lawfully by this the Jew may claim
A pound of flesh, to be by him cut off
Nearest the merchant’s heart. Be merciful.
Take thrice the money; bid me tear the bond.
SHYLOCK      : There is no power in the tongue of man
                        To alter me. I stay here on my bond.
ANTONIO       : Most heartily I do beseech the court
                        To give the judgment.
PORTIA          : Why then, thus it is:
                        You must prepare your bosom for his knife.
SHYLOCK       : O noble judge! O excellent young man!
………………………………….

PORTIA           : Therefore, lay bare your bosom.
SHYLOCK       : Ay, his breast -
                         So says the bond: doth it not, noble judge?
                        “Nearest his heart;” those are the very words.
PORTIA           : It is so. Are there balance here to weigh The flesh?
SHYLOCK       : I have them ready.
PORTIA           : Have by some surgeon, Shylock, on your Charge,
                        To stop his wounds, lest he do bleed to death.
SHYLOCK        : Is it so nominated in the bond?
PORTIA            : It is not so express’d, but what of that?
                        ‘Twere good you do so much for charity.
SHYLOCK        : I cannot find it; ’tis not in the bond.
……………………………………..
PORTIA                                                 : A pound of that same merchant’s flesh is thine.
The court awards it, and the law doth give it.
SHYLOCK                              : Most rightful judge!
PORTIA                                 : And you must cut this flesh from off his breast
The law allows it, and the court awards it.
SHYLOCK                              : Most learned judge! A sentence! Come, prepare.
PORTIA                                                 : Tarry a little; there is something else.
This bond doth give thee here no jot of blood;
The words expressly are “a pound of flesh:”
Take then thy bond, take thou thy pound of flesh;
But, in the cutting it, if thou dost shed
One drop of Christian blood, thy lands and goods
Are, by the laws of Venice, confiscate
Unto the state of Venice.
……………………………………………..
SHYLOCK                              : Is that the law?
PORTIA                                                 : Thyself shalt see the act;
For, as thou urgest justice, be assured
Thou shalt have justice, more than thou desir’st.
……………………………………………….
SHYLOCK                              : I take this offer then: pay the bond thrice,
And let the Christian go.
BASSANIO                           : Here is the money
PORTIA                                                 : Soft!
The Jew shall have all justice. Soft! No haste:
He shall have nothing but the penalty.

William Shakespeare (1564-1616) was born at Stratford-on-Avon and was educated at the free Stratford Grammar School. There is no authentic documentation of his early life. He married Anne Hathaway in 1582 and moved to London in 1586 to become an actor, poet, dramatist and theatre manager. His well-known comedies are A Midsummer Night’s Dream, The Merchant of Venice and Much Ado About Nothing, while his outstanding tragedies are Hamlet, King Lear, Othello and Macbeth, among many more



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